6,545 Royalty-Free Audio Tracks for "Audio Recorder"

A quick and dirty sound effect i put together for a film school project. You could use this as a sound effect to accompany an arm or a neck being broken, or someone falling over and snapping a bone of some sort. I used this for neck breaking though. . . But you're more than welcome to use it on whatever you see fit. Technical details:. This sound was created with a twig and some tree bark, then mixed into adobe audition. Audio recorded in stereo with a zoom h1 on inbuilt mics.

A weird sassy male teen-like voice saying ''oh my god~'' :)i recorded this with my microphone "the blue yeti" using the software "audacity", hopefully the quality won't drop after uploadingalso i want to improve my voice acting, so if u need a free weird voice over for your animations for something, i would really like to try my luck, thank you! :d.

Opening and closing a scion tc 2015 model. Recording using internal xy mic from zoom h5 a couple of inches from the door handle. Cleaned the background noise with izotope rx4. Please post a link if you use this file. I'm excited to see what you can do with this!. Text me if you want to have fun and talk audio. I love hearing what people are up to in different sound communities!702-860-9869.

I walked through my neighborhood on july 4th, and many people were setting off fireworks outside their houses, so i recorded it. It was pretty chaotic. I walked through a park, which had a wet ground that you can hear me making my way through in some parts of this audio. Numerous fireworks go off, close and far, with crackles, sharper bangs, and more. You can also hear people yelling in the distance. Use this how you like, i do not need credit.

Placing an object somewhere in an epic, resonant way. In fact placing a water filter on top of a gas cooker. Recorded with zoom h2. Edited with audacity. This sound is cc0 but i highly recommend that you include a link to this page when using it, to avoid misunderstandings. Http://farm9. Staticflickr. Com/8070/8213683889_517a10ef52_o. Pngon flac and ogg vorbis audio file formats. Contact me if you have interest in specific sounds for open source or commercial purpose.

Sounds in an in-door go kart racing place. Recorded with ipodtouch 4g. Edited with audacity. This sound is cc0 but i highly recommend that you include a link to this page when using it, to avoid misunderstandings. Http://farm9. Staticflickr. Com/8070/8213683889_517a10ef52_o. Pngon flac and ogg vorbis audio file formats. Contact me if you have interest in specific sounds for open source or commercial purpose.

Phonograph cylinder recording from Filaret Kolessa collection. Duma Pro sestru i brata (fragment no. 3). Performed by Hnat Honcharenko. Phonograph operated by Lesia Ukrainka, Klyment Kvitka. Date: 1908. Instrument: bandura Українська: Фонографічний запис із колекції Філарета Колесси. Дума «Про сестру і брата» (фрагмент № 3). Виконує Гнат Гончаренко. Записувач(-і): Леся Українка, Климент Квітка. Рік запису: 1908. Інструмент: бандура

Sveriges Radios folkmusikinspelningar. Dalaresan 1954 Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: B/43.157-58:15:10 Hänvisning till tryckt/skriftlig källa: Sionstoner - Sångbok för den kristliga andakten utgifven af Evang. Fosterlands-stiftelsen (1907): Nr. 331

1st recording date: 1935? 1st release date: 1936? Composer: Hugo Wolf (1860-1903) Lyricists: Walter Robert-Tornow (1852-1895) based on a text in italian by Michelangelo Buonarroti (1475-1564) Performers: Alexander Kipnis (Bass) (1891-1978), Coenraad V. Bos (Pianoforte) (1875-1955) Work: Alles endet, was entstehet

Ave Maria in Due performed by the Concert Band of the United States Air Force Heritage of America Band. This recording was done at Ogden Hall at Hampton University. This was the first Christmas/Holiday CD accomplished under Captain Lang’s baton. Track 6 from A Christmas Festival (1997).

Several shots taken from a over-and-under shooter during pheasant shoot in very windy conditions in a deep valley. Recorded with rode ntg-1 shotgun on sony fs7, audio pulled directly from. Mxf file and rendered into 48khz wav files. This sound is part of a pack, and series of other sounds that i will be uploading. Feel free to use in your projects, no credit required. Thanks :).

Sci-fi wooshing/spinning sound. Recorded at 24bit 96khz. Out of this world futuristic sci-fi sound effects pack. Over 200 royalty free sci-fi sfx and audio tracks to help you started creating out of this world projects. Https://www. Edinburghrecords. Com/products/new-arrivals/sci-fi-sound-effects/.

Alternate take of ye 'ole washing machine. It's just a washing machine, but could be a printing press or space ship or what ever else you can come up with !recorded from the bottom. Lowpass filter nothing above 500k. Ran a limiter on it -1 db so your speakers are safe!audio technica pro 37 24bit 44. 1 mono.

This is a short radio patch from the houston fbi field office, calling to the houston dea field office. They do a radio check test every thursday night, and i recorded this from my police scanner! they call various federal agencies around southeast texas, but this is just a sample of a decent reply. If anyone would like to hear more of this transmission, or other surveillance audio from other federal agencies, please comment and let me know and i'll be happy to upload them! enjoy!.

This is a recording of a guitar loop heavily processed. Equipment used = yamaha pacifica guitar, roland duo capture audio interface, sony acid pro 7. 0, sony sound forge pro 10, fl studio 10, waves plugins (comp-gate and morphoder), antares filter, cycling 74 pluggo (sizzle delays), korg ms 20 emulator. Thanks for czechin out my sounds. . . Enjoy!.

Cell phone vibrating on a hard surface, recorded from within. I put a nokia 6060 on top of a turned-over plastic ikea bin and a zoom h2 under it. This sound is cc0 but i highly recommend that you include a link to this page when using it, to avoid misunderstandings. Http://farm9. Staticflickr. Com/8070/8213683889_517a10ef52_o. Pngon flac and ogg vorbis audio file formats. Contact me if you have interest in specific sounds for open source or commercial purpose.

Waiting in front of a store, a person brings their shopping cart into the trolley bay. Somebody should make a game about this. Recorded with zoom h2. Edited with audacity. This sound is cc0 but i highly recommend that you include a link to this page when using it, to avoid misunderstandings. Http://farm9. Staticflickr. Com/8070/8213683889_517a10ef52_o. Pngon flac and ogg vorbis audio file formats. Contact me if you have interest in specific sounds for open source or commercial purpose.

Just ringing my door bell. Pretending to be impatient. Recorded with zoom h2. Edited with audacity. This sound is cc0 but i highly recommend that you include a link to this page when using it, to avoid misunderstandings. Http://farm9. Staticflickr. Com/8070/8213683889_517a10ef52_o. Pngon flac and ogg vorbis audio file formats. Contact me if you have interest in specific sounds for open source or commercial purpose.

Playing around with an atari punk console that a friend assembled which has two light sensors instead of knobs. Recorded with zoom h2. Edited with audacity. This sound is cc0 but i highly recommend that you include a link to this page when using it, to avoid misunderstandings. Http://farm9. Staticflickr. Com/8070/8213683889_517a10ef52_o. Pngon flac and ogg vorbis audio file formats. Contact me if you have interest in specific sounds for open source or commercial purpose.

Phonograph cylinder recording from Filaret Kolessa collection. Song Nema v sviti pravdy (fragment no. 1). Performed by Hnat Honcharenko. Phonograph operated by Lesia Ukrainka, Klyment Kvitka. Date: 1908. Instrument: bandura Українська: Фонографічний запис із колекції Філарета Колесси. Пісня «Нема в світі правди» (фрагмент № 1). Виконує Гнат Гончаренко. Записувач(-і): Леся Українка, Климент Квітка. Рік запису: 1908. Інструмент: бандура

1st release date: 1933 1st recording date: 19 November 1932 Composer: Hugo Wolf (1860-1903) Lyricist: Johann Wolfgang von Goethe (1749-1832) Performer: Alexandra Trianti (soprano) (1901-1977), Coenraad V. Bos (pianoforte) (1875-1955) Work: (a) Die Spröde - (b) Die Bekehrte Genre: Tone poem

An a cappella, choral arrangement of the traditional American folk song "Shenandoah" performed by the Singing Sergeants of the United States Air Force Band. Track 9 from America (2017). Recorded between January 2015 and March 2017 at Rachel M. Schlesinger Concert Hall, Joint Base Anacostia-Boiling, and Bias Studios. Featuring soloist Master Sgt. Emily Wellington.[1]

Phonograph cylinder recording from Filaret Kolessa collection. Duma Pro sestru i brata (fragment no. 2). Performed by Hnat Honcharenko. Phonograph operated by Lesia Ukrainka, Klyment Kvitka. Date: 1908. Instrument: bandura Українська: Фонографічний запис із колекції Філарета Колесси. Дума «Про сестру і брата» (фрагмент № 2). Виконує Гнат Гончаренко. Записувач(-і): Леся Українка, Климент Квітка. Рік запису: 1908. Інструмент: бандура

Title Christian Mass, singing Hallelujah Artist stephan Original mp3 data Length:0:19 minutes (376.57 KB) Format:MP3 Stereo 44kHz 160Kbps (CBR) User tags Christianity, Church, ecumenical, Hallelujah, Mass, Organ play, Parish, People, Religion, singing Type Single Subject, Natural, Human PDSounds record number 294 Comment May 27, 2007 - Church of Christ the King (1927), Leverkusen, Germany. The parishioners sing "Hallelujah" with organ play.

Phonograph cylinder recording from Filaret Kolessa collection. Song Nema v sviti pravdy (fragment no. 2). Performed by Hnat Honcharenko. Phonograph operated by Lesia Ukrainka, Klyment Kvitka. Date: 1908. Instrument: bandura Українська: Фонографічний запис із колекції Філарета Колесси. Пісня «Нема в світі правди» (фрагмент № 2). Виконує Гнат Гончаренко. Записувач(-і): Леся Українка, Климент Квітка. Рік запису: 1908. Інструмент: бандура

Title Christian Mass, Organ play, Consecration Artist stephan Original mp3 data Length:5:02 minutes (4.61 MB) Format:MP3 Stereo 44kHz 128Kbps (CBR) User tags Christianity, Church, Communion, Consecration, ecumenical, Eucharist, Mass, Music, Organ play, Parish, Religion Type Single Subject, Natural PDSounds record number 290 Comment May 27, 2007 - Church of Christ the King (1927), Leverkusen, Germany. Calm organ play for the parishioners to leave their pews and having the eucharist, holy communion, consecration (i dont't know exactly the correct word for it). When having receiced the host they come back to seat in the pews. Many thanks to minister and organist of this mass for the permission to record.

Title/Work: Trumpet Concerto in E Flat Content: - Genre(s): Chamber music Author(s)/(Composer(s): Joseph Haydn (1732-1809) Music arranger(s): none Lyricist(s): none Performer(s): Philharmonia Orchestra; Trumpet: Harry Mortimer (1902-1992); Organ: Reginald Foort (1893-1980) Conductor: George Weldon (1908-1963) Place of recording: EMI Studio No. 1, Abbey Road, London (United Kingdom) 1st release date: 1949 1st recording date: 19 June 1946

Title/Work: Casse-Noisette Suite (Part 2) Content: a) Danse de la Fée Dragée, b) Danse des Mirlitons Genre(s): Ballet music Author(s)/(Composer(s): Pyotr Ilyich Tchaikovsky (1840-1893) Music arranger(s): none Lyricist(s): none Performer(s): American Symphony Orchestra Conductor: none Place of recording: West Orange, New Jersey (United States) 1st release date: 1 April 1921 1st recording date: 24/30 June 1918

Title/Work: Cantate No. 189 (BWV 189) Content: Disc 23A: Meine Seele rühmt und preist (Part 1) Genre(s): Cantata Author(s)/(Composer(s): Johann Sebastian Bach (1685-1750) Music arranger(s): none Lyricist(s): none Performer(s): Max Meili (1899-1970) Conductor: Curt Sachs (1881-1959) Place of recording: Paris (France) 1st release date: 1935 1st recording date: 1935

1st release date: 1938 1st recording date: 29 August 1937 Place of recording: EMI Studio No.1, Abbey Road, London (United Kingdom) Author(s)/Composer(s): Hugo Wolf (1860-1903) Lyricist(s): Robert Reinick (1805-1852) Music arranger(s): none Conductor: none Performer(s): Tenor: Helge Rosvaenge (1897-1972), Pianoforte: Gerald Moore (1899-1987) Vocal range: Tenor with pianoforte accompaniment Title/Work: Gesellenlied Content: - Genre(s): Tone poem

Title/Work: Cavalleria Rusticana Content: Intermezzo Genre(s): Opera terminology Author(s)/(Composer(s): Pietro Mascagni (1863-1945) Music arranger(s): none Lyricist(s): Giovanni Targioni-Tozzetti (1712-1783) and Guido Menasci (1867-1925) (adapted from a play written by Giovanni Verga (1840-1922)) Performer(s): Victor Orchestra Conductor: Walter B. Rogers (1865-1939) Place of recording: Camden, New Jersey (United States) 1st release date: February 1905 1st recording date: 7 November 1904 (B-4050: 18 June 1908)

Scraping a cleat against some small rocks on dirt. Recording in the city is hard but i found a small canyon made of rocks in a park which helped block out traffic noise. Equipment: rode ntg3, zoom h5, izoptope rx4. Please post a link if you use this file. I'm excited to see what you can do with this!. Text me if you want to have fun and talk audio. I love hearing what people are up to in different sound communities!702-860-9869.

Scraping a cleat against some small rocks on dirt. Recording in the city is hard but i found a small canyon made of rocks in a park which helped block out traffic noise. Equipment: rode ntg3, zoom h5, izoptope rx4. Please post a link if you use this file. I'm excited to see what you can do with this!. Text me if you want to have fun and talk audio. I love hearing what people are up to in different sound communities!702-860-9869.

Bees with a frenzied interest in the pollen or sap coming off the leaves of an aspen tree in my back yard. Distant construction equipment audible. Mic stand below the tree, mid-side stereo array pointed 'forward' nearly straight up at tree limbs/leaves. Audio technica at4040 (mid) at4050 (side) > sound devices mixpre-6 @ 24/96 +46db gain > adobe audition (edit, eq, 'mastering exciter/loudness/width') > flac.

Bees swarming in an aspen tree in pursuit of its sap. Schoeps cmc6-uxt/mk41 (mid) + cmc6-uxt/mk8 (side) mid-side stereo array in hand-held rycote zeppelin + shockmount > sound devices mixpre-6 @ 24/96 +46db gain > adobe audition (edit, nr of handling noise/wind?, amplification) > flac. Compare and contrast with the audio-technica ldc mid-side version here:http://freesound. Org/people/chromakei/sounds/400169/.

Playing with a magnetic ball of whacks - google chrome branded (doesn't make a sound difference i'm sure ^^). Http://farm8. Staticflickr. Com/7281/8740660813_96f7a29a72. Jpg. Recorded with zoom h2. Edited with audacity. This sound is cc0 but i highly recommend that you include a link to this page when using it, to avoid misunderstandings. Http://farm9. Staticflickr. Com/8070/8213683889_517a10ef52_o. Pngon flac and ogg vorbis audio file formats. Contact me if you have interest in specific sounds for open source or commercial purpose.

A diesel train flushing out the condensation from a particular valve, as i am told. Sounds like electricity sparking or something. It was quite loud, my gain was set extremely low, enough that i didn't pick up any of the road traffic with cars passing a few feet behind me. Mic: audio-technica at-875r shotgun micrecorder: tascam dr-40. Creative commons license because lengthy attributions suck. Use as you will.

Second Suite in F for Military Band, Op. 28, No. 2: I. "March: Morris dance, Swansea Town, Claudy Banks" performed by the Concert Band of the United States Air Force Heritage of America Band. Track 6 from Flourishes (1992). Recorded 1992 at Langley Air Force Base in Virginia.

1st release date: 1933 1st recording date: 19 November 1932 Composer: Hugo Wolf (1860-1903) Lyricist: Johann Wolfgang von Goethe (1749-1832) Performer: Alexandra Trianti (soprano) (1901-1977), Coenraad V. Bos (pianoforte) (1875-1955) Work: (a) Blumengruss - (b) Gleich und gleich - (c) Frühling übers Jahr Genre: Tone poem

Erika was a German marching song which is used by the German military. The author of the song was Herms Niel in 1930s. This song was published during Nazi Germany and ww2this recording include MIDI Erika, auch bekannt unter seinem Liedanfang Auf der Heide blüht ein kleines Blümelein, ist der Titel eines bekannten deutschen Marschliedes von Herms Niel, das in den 1930er-Jahren entstand. In dem Lied wird „die naturverbundene Liebe zur Heimat besungen“.

An excerpt from some in-car driving recordings i made with the windows wound down. My starting point is geotagged. I first turn right out of trail ridge court in streamwood, il, then wait to turn left at the intersection of schaumburg road and south sutton road. I then head north on il route 59. The car is a 1996 chrysler lhs 3. 5l v6 (note the recognizable sound of the creaky chrysler transmission as i slow to a stop). My recording setup was two audio technica at851a boundary mics, mounted upside down on the interior roof and facing out of the driver and passenger windows (with appropriate wind protection), running through a mixer into a zoom h4.

1st release date: 1927 1st recording date: 13 November 1926 Place of recording: Teatro alla Scala, Milan (Italy) Author(s)/Composer(s): Ruggero Leoncavallo (1857-1919) Lyricist(s): Ruggero Leoncavallo (1857-1919) Music arranger(s): none Conductor: Carlo Sabajno (1874-1938) Performer(s): La Scala Theatre Chorus and Orchestra Vocal range: Chorus Title/Work: Pagliacci (Clowns) (opera) Content: Coro delle Campane (Chorus of the bells) Genre(s): Opera terminology

America the Beautiful performed by the Singing Sergeants of the United States Air Force Band. Track 14 from Finding North (2019). Selections recorded November 2018 at Hylton Memorial Chapel in Woodbridge, VA. Credits: Co-producer – Brandon Hults (tracks: 2nd Lt. Brandon Hults), 1st Lt. Philip Emory* Engineer [Senior Recording Engineer], Mixed By, Mastered By – Bruce Leek Executive Producer – Larry H. Lang (tracks: Colonel Larry H. Lang) Music Director, Conductor [Enlisted] – Master Sgt. Taylor Armstrong* Producer [Assistant] – Master Sgt. Benjamin Park* Production Manager [Chief] – Chief Master Sgt. Ryan Carson*

Quartet: "Bella figlia dell' amore" from Giuseppe Verdi's opera Rigoletto (1851), performed by Enrico Caruso (the Duke of Mantua), Louise Homer (Maddalena), Bessie Abott (Gilda), and Antonio Scotti (Rigoletto). This is Victor Records Matrix C-4259, recorded on 20 February 1907 in New York City, and released under a variety of labels (full details) “..Bella figlia dell'amore”, cuarteto de la ópera lírica “Rigoletto” de Giuseppe Verdi. La pieza, de una grabación de la ópera de 1907 de la casa discográfica Victor Records, siendo protagonistas Enrico Caruso, Bessie Abott, Louise Homer y Antonio Scotti. Bella figlia dell'amore, de Rigoletto de Giuseppe Verdi. Enregistrement de 1907, avec Enrico Caruso, Bessie Abott, Louise Homer et Antonio Scotti. Italiano: “Un dì se ben rammentomi ...Bella figlia dell'amore”, quartetto dall'opera lirica “Rigoletto” di Giuseppe Verdi. Il pezzo, da una registrazione dell'opera del 1907 a cura della casa discografica Victor Records, vede protagonisti Enrico Caruso, Bessie Abott, Louise Homer e Antonio Scotti. Македонски: „Убава ќерко на љубовта“ (Bella figlia dell'amore) од операта „Риголето“ од Џузепе Верди во изведба на Енрико Карузо, Беси Абот, Луиз Хомер и Антонио Шоти (снимка од 1907 г.) "Bella figlia dell'amore" из Риголетто Джузеппе Верди. В 1907 студия Victor Records записала исполнение Энрико Карузо, Бесси Аботт, Луизы Гомер и Антонио Скотти. Tiếng Việt: "Bella figlia dell'amore" trích trong vở Rigoletto của Giuseppe Verdi. Bản thu thanh năm 1907 của hãng Victor Records với các giọng hát của Enrico Caruso, Bessie Abott, Louise Homer và Antonio Scotti.

Public domain music from musopen.com Q: What restrictions are there for the music downloaded from this site, can I edit it? Share it? Use it for a film project? A: The music on this site is given a public domain license, therefore, there are technically no restrictions on what you do with it. We do ask, out of courtesy, two things. One, that you do not directly sell our recordings for profit, as a great amount of work has been donated to this project, and for the benefit of the public, not profit. Two, we ask that any commerical or derived works attribute Musopen somewhere, to give credit to this project. And for all the film students emailing, yes you may use it in your film, you can then sell the film, containing our music. It's in the public domain afterall. -- http://www.musopen.com/faq.html Musopen has requested in-line attribution in any article this file is used in.  

1st release date: 1932 1st recording date: 18 May 1931 Place of recording: Teatro alla Scala, Milan (Italy) Author(s)/Composer(s): Georges Bizet (1838-1875) Lyricist(s): Henri Meilhac (1831-1897) and Ludovic Halévy (1834-1908) Music arranger(s): none Conductor: Carlo Sabajno (1874-1938) Performer(s): Gabriella Besanzoni (1888-1962), mezzo-soprano, Enrico Spada (1885-?), basso, Nerina Ferrari (1907-?), soprano, Tamara Beltacchi (1898-?), mezzo-soprano and members of the La Scala Theatre Orchestra and Chorus Vocal range: Bass, Mezzo-Soprano, Soprano, choir and orchestra accompaniment Title/Work: Carmen (opera) Content: Part 15: Act 2: Or ben, Pastià desia (Senor Pastia declares) Genre(s): Opera terminology

Public domain music from musopen.com Q: What restrictions are there for the music downloaded from this site, can I edit it? Share it? Use it for a film project? A: The music on this site is given a public domain license, therefore, there are technically no restrictions on what you do with it. We do ask, out of courtesy, two things. One, that you do not directly sell our recordings for profit, as a great amount of work has been donated to this project, and for the benefit of the public, not profit. Two, we ask that any commerical or derived works attribute Musopen somewhere, to give credit to this project. And for all the film students emailing, yes you may use it in your film, you can then sell the film, containing our music. It's in the public domain afterall. -- http://www.musopen.com/faq.html Musopen has requested in-line attribution in any article this file is used in.  

Public domain music from musopen.com Q: What restrictions are there for the music downloaded from this site, can I edit it? Share it? Use it for a film project? A: The music on this site is given a public domain license, therefore, there are technically no restrictions on what you do with it. We do ask, out of courtesy, two things. One, that you do not directly sell our recordings for profit, as a great amount of work has been donated to this project, and for the benefit of the public, not profit. Two, we ask that any commerical or derived works attribute Musopen somewhere, to give credit to this project. And for all the film students emailing, yes you may use it in your film, you can then sell the film, containing our music. It's in the public domain afterall. -- http://www.musopen.com/faq.html Musopen has requested in-line attribution where this article is used in files.

Public domain music from musopen.com Q: What restrictions are there for the music downloaded from this site, can I edit it? Share it? Use it for a film project? A: The music on this site is given a public domain license, therefore, there are technically no restrictions on what you do with it. We do ask, out of courtesy, two things. One, that you do not directly sell our recordings for profit, as a great amount of work has been donated to this project, and for the benefit of the public, not profit. Two, we ask that any commerical or derived works attribute Musopen somewhere, to give credit to this project. And for all the film students emailing, yes you may use it in your film, you can then sell the film, containing our music. It's in the public domain afterall. -- http://www.musopen.com/faq.html Musopen has requested in-line attribution in any article this file is used in.

Here's a sound of me opening a beer can. The stages are separated, but you can edit them together if you want to have the initial pressure release and the rest of the procedure. Or you could take each part separately and make something completely unexpected from this recording. Captrued using behringer b-1 microphone into presonus studio 24c interace into audacity using pipewire on arch linux at 48khz 24-bit. The audio is unprocessed, each bit straight from the adc. Cheers!.